PIXAR CREATIVE PROCESS

Image by matlock via Flickr

In this interview from , Michael B. Johnson of Pixar discusses tips on the Creative Process. He also talks about moving from an analog to a digital creative process and some of the pitfalls of working virtually as well as some of the pros. Michael develops software for the animators and creatives at Pixar animation Studios, which is known for it's creativity and 3D animation films. To watch more of these interviews, check the link here.

Rotterdam Event writeup

Last Month I did some moderation for an event at the International Rotterdam Film Festival here in Holland. There is a write-up in independent magazine about it. Have a look!

Blogging Rotterdam, Part Five: Understanding Europe's Zeal for Media Literacy

The Independent's

Randi Cecchine, a filmmaker and educator from New York City, is impressed to learn that governments in Europe are eager to come up with policies to promote media literacy among their citizens, particularly young people. But as a European friend suggests, the role of the government in establishing guidelines concerning media literacy and education can be complicated—especially if media makers are cut out of the policy-making loop.

Via: Randi Cecchine on www.independent-magazine.org

Here is my quoted excerpt (for family to be proud) the rest you should really read if you are interested in this stuff.

Gabriel McIntyre (I'll call him Gabemac) was the charming conference moderator. I found it interesting that they chose an American to lead the discussion. Gabriel is originally from Atlanta, but has lived in the Netherlands for many years, working as an educator and with emerging technology and advertising.He helped me understand the European media literacy context a little more clearly, reminding me that most media is funded by the government, and that historically media has often been used for propaganda for pretty bad purposes. The notion is that if the government has such a large role in creating the media, it also has a responsibility to enhance the cultural undersanding of media.

I ask Gabe what he thinks comes out of events like this.

“Policymakers make policy. It's up to artists to take the policy and make it right. That’s always how it is, in any democratic society. And if they didn’t make right policies, the artists wouldn’t take it up. Or they would say, you screwed up there—this is better.